I am primarily engaged with blurring the lines between sculpture and myself. I imbue my objects with my distorted voice, putting you in my head, or, more In The Room. I project myself onto objects in a very literal sense, dancing among them in an eternal duet. I am interested in the nothing that is spoken through saying everything. I do not talk in code, but the work may not necessarily speak your language.
Another Indescribable Thing blends repetitive motifs of road infrastructure, camp Americana aesthetics and nonsensical language to play with ideas of legibility. The elements are recognizable, but have been shuffled around, turned into an accumulative pile: an intermedia attempt at expressing the inexplicability of being through the objects we just can’t seem to get rid of.
Featuring Several Sculptures/Experiences
WITNESS
Double Sided Quilt (Quilting Cotton, Plastic Chain), 6’x8’
Running Dreams
Objects with Projection (PVC Pipe, Plaster, Paper Clay, Paint, Video Projection), Placement dimentions variable.
Plastic Jesus (Too Late for That!)
Sculpture (material info below), 8’ tall on its hill.
Bronze Cast of Slotted Sunglasses I Found on The Street On a Morning When I Felt Irredeemably Undesirable That Made Me Think Maybe I Was Being A Bit Dramatic (Artifact 24)
Sculpture (Bronze, Rubber Mulch, Structure), 36” x 10” x 28”.
Low Hanging Fruit
Sculpture (Boxing Gloves, Rhinestones, Faux Fur, Shoelaces), Standard Boxing Glove Size, Hanging dimensions variable.
The Color of a Sign Indicates the Nature of its Message (Anything, Anytime)
Sculpture (Gridded Structure, Plastic Shopping Bag, Orange Netting, Plaster, Paint, Hankies), 29” x 5” x 84”.
Redcar Effect
Soundpiece (6 min duration)
Photos by Joel Tsui (@artarchival), MECA&D Photo Department, and the artist.
Featuring several sculptures. One of which being FAG PILE, a collaborative sculpture between Lambert & Poteraki.
Childhood Bedframe / Redford’s Fag / Stan’s Fag / Construction Safety Fencing / Ratchet Straps / Rhinestones / Mattress
I Just Feel Like The Structure Of The Highway Of My House Is Growing Exponentially.
Photo Documentation by Natalie Conn
Originally Performed at 49 Oak as part of a closing reception for Faith in Something More
Acorn / Acrylic Paint / Aquarium Gravel (I Think) / Armature Wire / Astro Turf / Beads / Burlap / Cardboard / Chalk Pastel / Chicken Wire / Clock I Used To Wear Around My Neck (Never Worked) / Craft Tiles / Display Shelf (From Work) / Epoxy Putty / Etch-a-Sketch (Doodle) / Golden Angel / Grout / Hankies / Magnet Mosaic-By-Number Tiles / Mirror Tiles / Mysterious Plastic (From Street) / Nondescript Award / Pencil / Phone Keys / Photos From 1964 Isometric Exercise Book / Plaster / Plastic Chain / Plastic Phone Cast / Red Soda Can Tab / Rhinestones / Rotating Beacon Light (Cigarette Lighter Port) / Sequins / Slotted Sunglasses (From Street) / Steel / Stickers / Tennis Drills / Tinsel / Tiny Alien / Traffic Cone / Vintage Toy Vehicles / Vial of Glitter / Water Bottles / Wood (Scrap)
Performance Documentation Projection / Cast Concrete / Grout / Steel / Acrylic Yarn / For Sale Sign (Unused) /
Tar Gel / Epoxy Putty / Broken Tail Light (From The Street) / Safety Fencing / Carpet Glue (Expired) / Extension Cord (Too Long) / TacVisor (See Clearly Without The Glare!) / Trail Tape / Latex / Spray Paint / Glitter/ Palette (Segment)
Originally Performed at the Aphodian Theater, Portland Maine
Chevrolet/GMC/Isuzu/Oldsmobile Driver’s Side Mirror Replacement / Jolly Jumper (Facebook Marketplace) / Perler Beads / Family Dollar Pom-Pom / Turntable Motor / Blue Rubber Mulch / (American) Football Jersey Mesh / Organza / Polyfil / Secure Hold Bungee Cords (Assorted) / Construction Safety Fencing / Glass Beads / Wood / Paper Clay / Mirrorball Tiles / Acrylic Paint / Grout / Plastic Bins (Destroyed) / Zip Ties / Steel / Trash Bags